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Baltimore, 1849. The body of Edgar Allan Poe has been buried in an unmarked grave. The conclusion that Poe was a second-rate writer who died a drunkard is accepted by all. But none of this deters Quentin Clark, an ardent admirer who risks his own career and reputation in a passionate crusade to salvage Poe's. Clark discovers that Poe's last days are riddled with vital unanswered questions. But just when Poe's death looks destined to remain a mystery, Quentin seeks out the one person who can solve this strange case: the real-life model for Poe's brilliant fictional detective character, C. Auguste Dupin. Having successfully recruited the man he believes to have inspired Poe's Dupin, Clarke is confronted by another claiming to be the true model. The two master detectives each seek to prove he is the real 'Dupin' by solving the mystery of Poe's death. Clark finds himself enmeshed in sinister machinations involving international political agents, a female assassin, the corrupt Baltimore slave trade and the lost secrets of Poe's final hours. With his own future hanging in the balance, he must turn master investigator himself to unchain his now imperilled fate from that of Poe.

Below the level of the musical note lies the realm of microsound, of sound particles lasting less than one-tenth of a second. Recent technological advances allow us to probe and manipulate these pinpoints of sound, The Poe Shadow download ebook pdf dissolving the traditional building blocks of music -- notes and their intervals -- into a more fluid and supple medium. The sensations of point, pulse (series of points), line (tone), and surface (texture) emerge as particle density increases. Sounds coalesce, evaporate, and mutate into other sounds. Composers have used theories of microsound in computer music since the 1950s. Distinguished practitioners include Karlheinz Stockhausen and Iannis Xenakis. Today, with the increased interest in computer and electronic music, many young composers and software synthesis developers are exploring its advantages. Covering all aspects of composition with sound particles, Microsound offers composition theory, historical accounts, technical overviews, acoustical experiments, descriptions of musical works, and aesthetic reflections. The book is accompanied by an audio CD of examples.

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Author: Matthew Pearl
Number of Pages: 384 pages
Published Date: 29 Jun 2011
Publisher: Vintage Publishing
Publication Country: London, United Kingdom
Language: English
ISBN: 9780099478225
Download Link: Click Here
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